Thank you everyone for coming to the show! The day was gloriously beautiful, and to have you all here was, for me, perfect. I’m so sorry that I didn’t have time… to talk more with each and every one of you, but my friends, there will be more times for that, of course. Shout out to all the kids who helped stuff balloons- I seriously couldn’t have done it without you!
The backyard showing of, Mujere de las Flores, Balloonman, Blue Woman Acrobat, Sun’Bird’Woman, and the Inflatableman.
Sculpture garden, outdoor sculpture show, afternoon hang-out, the first Monunomena event takes place July 29, 2017 in Ann Arbor Michigan.
I’ve had a group of large scale sculptures, impossible to show in a gallery, that I’ve wanted to get together for a long time. At last I’m just doing it! Come over to the house on Saturday afternoon, relax in a the garden, and view the art. Zona Uno is the body of work I’ve been doing for last 5 years, plus resonate work from my oeuvre.
The grand moments that surround and include us, we call Destiny, and the small personal insignificant things, merely “coincidence”. But it’s indeed Destiny that I should be drinking this espresso, in this shop, in this chair, in this sunshine, at this moment; and otherwise, the events of the World are only coincidental.
Get ready. Now I reveal the Futurist Gothic finish for this piece, gold vinyl wrap of my dreams. 3M 1080 Car Wrap. This stuff is great, used to wrap cars instead of painting them now, comes in a lot of colors and finishes. Applying it has a knack, so I’ll record something.
The material is paper-backed sticky vinyl, and can be warmed to stretch and conform to complex surfaces. You can learn a lot about using it on a popular video streaming site, but that will be about wrapping cars. I’m going to cut it into triangles mostly, and apply it like trencadis tile. I’ll make paper templates to fit the large flat tail piece and head piece. Not waste any material.
Remove the backing from half the material, and arrange on the piece. Then remove the rest and apply pressure with squeegee to smooth.
Using gentle heat to smooth the creases.
I’m using a slightly different texture of wrap, “brushed metal” to create a highlight on the large flat sections.
So there, done at last and ready to deliver to the show I’m invited to. About six months from the conception. Everything about the materials of this piece were new to me, a big experiment in a process used somewhat to make movie props and parade floats, but especially Fallas sculptures. The finished work is only about 25 lbs. A way to work at larger scale without out the weight, cost and labor of traditional materials like plaster or fiberglass; a way to realize extravagant designs without too much commitment of $, time and effort. Definitely enjoying this freedom these materials permit.
Surface-finish work begins. Patching with papier-mâché clay, sand, and then paint with appropriate primer for plastic foam (polystyrene). Then, overcoat with a high quality acrylic paint. All this helps strengthens the surface a bit, so it’s not so fragile to dents and nicks as the bare foam is. Getting somewhere like people think of real sculpture.